The Documentary Legend reflecting on His War of Independence Documentary: ‘This Is Our Most Crucial Work’
Ken Burns has evolved into more than a filmmaker; his name is a franchise, a one-man industrial complex. Whenever he releases documentary series heading for the PBS network, everyone seeks a part of him.
He participated in “more fucking podcasts than I ever thought possible”, he says, nearing the end of his extensive publicity circuit comprising numerous locations, dozens of preview events and hundreds of interviews. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”
Thankfully the filmmaker is incredibly dynamic, as loquacious behind the mic as he is prolific while filmmaking. The veteran director has gone everywhere from Monticello to The Joe Rogan Experience to promote his latest monumental work: his Revolutionary War documentary, a comprehensive multi-part historical examination that occupied the past decade of his life and premiered recently on public television.
Classic Documentary Style
Similar to traditional cooking amidst instant gratification culture, Burns’ latest project intentionally classic, reminiscent of The World at War rather than contemporary digital documentaries and podcast series.
But for Burns, who has built a career documenting American historical narratives covering diverse cultural topics, the nation’s founding transcends ordinary historical coverage but fundamental. “I recently told collaborator Sarah Botstein during our discussions, and she shared this view: no future work will carry greater importance,” Burns reflects during a telephone interview.
Extensive Historical Investigation
Burns and his collaborators and screenwriter Geoffrey Ward utilized numerous historical volumes and primary source materials. Dozens of historians, covering various ideological backgrounds, provided on-air commentary along with leading scholars covering various specialties including slavery, first nations scholarship and imperial studies.
Distinctive Filmmaking Approach
The style of the series will feel familiar to fans of historical documentaries. The unique approach featured methodical photographic exploration over historical images, generous use of period music and actors interpreting primary sources.
This period represented Burns established his reputation; a generation later, presently the respected veteran of historical films, he seems able to recruit virtually any performer. Collaborating with the filmmaker at a recent event, renowned playwright Lin-Manuel Miranda noted: “A call from Ken Burns commands immediate acceptance.”
Extraordinary Talent
The lengthy creation process also helped regarding scheduling. Filming occurred in studios, at historical sites using online technology, a method utilized amid COVID restrictions. The director describes the experience with performer Josh Brolin, who scheduled a brief window while in Georgia to voice his character as the revolutionary leader before flying off to his next engagement.
Brolin is joined by numerous acclaimed actors, established Hollywood talent, Domhnall Gleeson, Amanda Gorman, Jonathan Groff, Tom Hanks, Ethan Hawke, Maya Hawke, accomplished dramatic artists, Damian Lewis, Laura Linney, Tobias Menzies, versatile character actors, television and film stars, and many others.
The filmmaker continues: “Truly, this might be the most exceptional group ever assembled for any movie or television show. Their work is exceptional. Their celebrity status wasn’t the criteria. It irritated me when questioned, about the prominent cast. I responded, ‘These are performers.’ They are among the world’s best performers and they can bring this stuff alive.”
Multifaceted Story
Nevertheless, the absence of living witnesses, modern media required the filmmakers to depend substantially on historical documents, weaving together the first-person voices of nearly 200 individual historic figures. This approach enabled to present viewers not only to the “bold-faced names” of the founders plus numerous additional essential to the narrative, numerous individuals lack visual representation.
The filmmaker also explored his particular enthusiasm for maps and spatial representation. “I love maps,” he observes, “featuring increased geographical representation in this project compared to previous works across my complete filmography.”
Worldwide Consequences
The team filmed at nearly a hundred historical locations across North America plus English locations to document environmental context and collaborated substantially with re-enactors. These components unite to present a narrative more violent, complex and globally significant versus conventional understanding.
The revolution, it contends, represented more than local dispute concerning territory, taxes and political voice. Rather, the series depicts a blood-soaked struggle that finally engaged more than two dozen nations and surprisingly represented termed “humanity’s highest ideals”.
Civil War Reality
What had begun as a jumble of grievances leveled at London by far-flung British subjects in 13 fractious colonies soon descended into a vicious internal war, pitting family members against each other and creating local enmities. During the second installment, the historian Alan Taylor observes: “The primary misunderstanding regarding the Revolutionary War is that it was something a unifying experience for colonists. It leaves out the reality that colonists battled fellow colonists.”
Historical Complexity
According to his perspective, the independence account that “for most of us suffers from excessive romance and nostalgia and remains shallow and doesn’t have the respect for what actually took place, and all the participants and the widespread bloodshed.”
The historian argues, a movement that announced the revolutionary principle of inherent human rights; a bloody domestic struggle, dividing revolutionaries and royalists; and a worldwide engagement, continuing previous patterns of struggles among European powers for dominance in the New World.
Uncertain Historical Outcomes
The filmmaker also sought {to rediscover the