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The is a New York drama so laidback that it required a decade to arrive on the UK’s cinema screens. First released in the US in 2015, it’s a micro-budget first feature from debut filmmaker Charles Poekel, set almost entirely on a 24-hour pop-up Christmas tree stall. Poekel’s style is far too genuinely independent and unaffected to get slushy or sentimental about Christmas; through his lens Christmas tree lights flash like police lights. But in its own low-key way, he pitches his film perfectly for a little squeeze of festive warmth.

The Weary Seller Amid the Brooklyn Cold

Kentucker Audley stars as Noel (it took someone in the film to joke about his name for the connection to be made). Noel returns for his fifth year peddling Christmas trees in Brooklyn, working outdoors in the freezing cold and sleeping in a not-much-warmer caravan stationed beside the trees. Several patrons inquire after the girl assisting him last year. But this year Noel is alone, heartbroken and working the night shift.

There’s an observational quality to a lot of the scenes, with customers posing idle and peculiar questions. One woman wants the same Christmas tree as the Obamas (this is 2014). Noel looks numb with cold in body and spirit; he’s weary and disillusioned, though Audley’s understated acting makes it clear that he wasn’t always like this.

Quiet Moments and Flickers of Hope

In truth, the plot is minimal. Noel rescues a woman, Lydia (Hannah Gross), who has collapsed drunk on a bench. She reappears later in some genuinely moving scenes as Noel drives around New York, delivering trees – and these sequences could ignite a small glimmer of good cheer in the grinchiest of hearts. Poekel hasn’t made a feature since this, which is a shame – you can’t beat it for naturalness and ease, and it’s filmed on gorgeously textured 16mm film.

A film of understated charm and authentic atmosphere, portraying the solitude and fleeting warmth of the holidays.

Christmas, Again opens in UK cinemas from 12 December.